Portrayal of Guilt and Retribution Essay Example | Topics and Well Written Essays - 2250 words

Portrayal of Guilt and Retribution - Essay ExampleFantastic elements are added and metaphorically situated within the two stories to footslog away from the sense of what is practical or what is practically considered to be right and the abundance of fantastic depictions, therefore, creating a conflict between the self and the society - so drawing the connection with the Kantian philosophy of the State, justice and moral nature of man. Kant introduced the idea of Categorical Imperative1 and that morality is fundamentally a priori in nature and therefore it claims that ones moral choices are always good as it is grounded in Reason and it is never a matter of choice or personal taste and it universally seeks to be good and is a loyalty in itself. Thus the moral a priori truth that it holds all of us under the selfsame(prenominal) universal law of good and bad becomes the apparatus of perception by which we define our acts and how we view guilt and retribution without regard to the r elative context from which such(prenominal) immoral acts emerge. Thus, Michael Koolhaas guilt exists even when he knows that he acted against a wrongdoing committed against him, who is the actual criminal. This case of denial of justice does not necessarily bear Kohlhaans from his acts of wrongdoing and even he knows it. This classic idea of moral retribution can be further explained by the idea of morality and duty as proposed by Kant. Does the fantastic elements plan to create the effect of the sense of extreme (arousing the sense of impropriety within the reader itself, who otherwise would sympathize with Koolhaas) and monstrous betrayal, derisory extent of revenge taken, heavy assortment of passion and desire, and the complicated motifs of humans actions that do not necessarily always have simple and reasonable explanations to them - the complicacy of the human mind, therefore, becomes the subject of this novella where the fight with morality is better portrayed by the use of such fantastic metaphors and symbols or events. Or does the over-explanations used to play truth becomes fantastic to us Does the restless energy of Kohlhaans immoral acts and the restless energy that consume the plot of the story create a revenge that is so emphatic and pass with flying colors that it almost creates a sense of improbability within us Or does the emphasis on Marquis innocence (supported by the bizarre reason of the Count being the buzz off of her child) create a feeling of disbelief within us or our suspension of disbelief like that of the Colonel is only justified by the fantastic elements that engage the storytelling A plot that emerges out of the consequences of the given situation only in Marquise Von O makes the story border on the fantastic Gothic elements that discount the presence of the universal morality but rather portrays the subterranean forces of human immorality that are fantastically co-existent within us and how we are still receptive of deali ng with such truths too